June 3, 2007

Of an ephemeral nature

The Crate people
On my train journey to work a couple of weeks ago I spotted these Lego-like crate people. It was enough to brighten my morning. I’ve been meaning to capture them on digital camera ever since.

Unfortunately, by the time I got a chance to make a trip to their location, pieces of the work were already starting to disappear (heads missing etc). But I guess that’s part of the ephemeral nature of street art. Part of the thrill is knowing that you are witnessing something transitory. I was reminded of a post written by Georgina on Sarsparilla a while ago. She says of graffiti that:

Once on the wall it becomes part of the community: it’s read and analysed by those who see it and it can also disappear just as quickly as they create it.

The post is also worth checking out because it links to some interesting flickr groups on street art. Similarly, I recently discovered Random Vandal (via WordPress’s blog of the minute), a interesting blog that posts photos of street art.

Update: I just found a flickr set of the crate people (by Hellblazer), taken while they were still intact.

June 1, 2007

Friday flickr fun

I just received a nice message about my blog from Zazazu. I checked out her site and discovered this cool tool – Spell with Flickr:

M i S P1000115 V

May 31, 2007

In my reading pile …

Currently reading:

The Vanishing Act of Esme Lennox by Maggie O’FarrellA pile of books. I’m enjoying this one so far. The story centres on Esme Lennox who is locked away in a Scottish psychiatric institution in the 1930s for her unconventional behaviour.

‘Forgotten’ by her family, Esme remains in institutionalised care for another 60 years. It’s a fascinating topic and brings to mind other works on women and madness such as The Yellow Wallpaper and Wide Sargasso Sea.

On hold:

Cold Mountain by Charles Frazier. I started reading this beautiful book a while ago after reading a post about it on This Delicious Solitude. I got distracted by something or other but I plan to return to the world of Ada and Inman very soon.

Up next:

Either Colm Toibin’s short story collection Mothers and Sons or Janette Turner Hospital’s Orpheus Lost.

I’ve loved everything I’ve read by Toibin so I’m looking forward to Mothers and Sons. But perhaps I will take the advice of Mavis Gallant (as posted on Kate’s Book Blog) and take it one story at a time, rather than reading the entire volume all at once.

I’m also greatly anticipating Orpheus Lost, a novel that combines a retelling of the Orpheus story with terrorism, mathematics and music. I hope I haven’t raised my expectations too high on this one …

To add

I’ve just read reviews of Lionel Shriver’s The Post Birthday World  on Charlotte’s Web and Of Books and Bicycles, and it sounds like this may need to be added to my reading pile sometime soon!

May 27, 2007

Stories by Miranda July

I was introduced to the work of performance artist Miranda July via her film Me and You and Everyone We Know which was released in 2005. I really enjoyed July’s film. Although it tackled quite dark andCover of No One Belongs Here More Than You confronting topics the film somehow managed to retain a lightness of touch and conveyed the storyline with sensitivity and tenderness.

July’s quirky style is not for everyone and, as a recent New York Magazine attests, the debate over whether she is “awesome or annoying” is ongoing.

I recently discovered that July has just published a collection of short stories, No One Belongs Here More Than You. I will be very interested to check it out. The website accompanying the book is a clever multimedia piece in its own right that gives you a bit of a sense of July’s aesthetic.

May 17, 2007

Heide past and present

My boyfriend and I visited to the Heide Museum of Modern Art on the weekend. It’s a lovely spot to spend a few hours on a Saturday afternoon.Inside Heide II

Heide past

Heide is a place mythologised in the history of modern art in Australia. Heide started out as a small farm in the 1930s, the home of art patrons John and Sunday Reed. 

Although it is hard to imagine now, this was a time when modern art was considered to be extremely radical in Australia; no one was interested in buying the works of young artists influenced by Picasso and Matisse. The Reeds however, nurtured this new artistic community.

The Reeds gave their support to such artists as Sidney Nolan, Joy Hester and Albert Tucker and helped them to gain public recognition.

Heide present

The Heide site now contains a group of buildings: Heide I - the old farm house, Heide II – the modern, architect-designed house that was built in for the Reeds in the 1960s, and Heide III – the purpose-built museum space that was constructed in the 1990s and renovated last year. The expansive grounds surrounding the buildings contain sculptures and provide a country oasis from the surrounding suburbia.

Demeter’s Garden by Lauren BerkowitzOn the day of our visit we wandered through an interesting photography exhibition in Heide III before making our way over to Heide II. Here we saw a striking piece by Lauren Berkowitz called Demeter’s Garden laid out on the floor. 

The work was made up of seedpods, flowers and leaves collected and arranged by the artist in abstract shapes. It had a textile feel to it that reminded me of a 1960s wall hanging or a beautiful hand-woven scarf. The botanical theme also made me think of pressed flower specimens or a forest floor. It was a really lovely, intricate piece.

Image credits: (top) photo by James Boddington © Heide Museum of Modern Art, (bottom) photo by John Gollings © Lauren Berkowitz & John Gollings.

May 15, 2007

Du Maurier’s desolate landscape

I finally finished reading Jamaica Inn by Daphne du Maurier on Sunday. You may recall that I had promised to do this by May 10, the centenary of Daphne du Maurier’s birth.Bodmin Moor 2006 - Jolyon Hunter

The novel centres on Mary Yellan, who goes to live with her aunt after her mother’s death. Mary’s aunt is married the brutish innkeeper of Jamaica Inn. The Inn, despite its tropical-sounding name, is located on Bodmin Moor in Cornwall.

From the very beginning of the story, as Mary travels to her new home, a strong sense of the desolate landscape of Bodmin Moor is evoked:

No trees here, save one or two that stretched bare branches to the four winds, bent and twisted from centuries of storm, and so black were they by time and tempest that, even if spring did breathe on such a place, no buds would dare to come to leaf for fear the late frost should kill them.

And just as the landscape is bleak and inhospitable, so is Jamaica Inn and the company it keeps. Mary finds her aunt reduced to a shadow of her former self, clearly frightened by her husband yet still under his spell. She also discovers that her uncle is caught up in a dark world of smuggling, thievery and murder.

I thought Jamaica Inn worked best in setting the scene and creating a dark and gothic atmosphere from which to tell the story. I was less entranced by the adventure-style plot (I was hoping for something more like Rebecca I suppose).  It would make a great film though (I understand the Hitchcock version was very compromised) or a BBC drama series with Ian McShane as the evil innkeeper.

There is a sense of doubling at the end left me uneasy. I don’t think it gives away too much to say that at the end of the story Mary leaves Bodmin Moor in the company of her uncle’s slightly-shady brother. You are left to wonder: will Mary Yellan find happiness or is she doomed to repeat the story of her aunt?

Image credit: Jolyon Hunter under the terms of a Creative Commons Licence.

May 2, 2007

Industrial-strength lace

Lace fence by Demakersvan

I love the way industrial design and craft intersect in this lace fence by Dutch design house Demakersvan. The perfect symmetry of the fence is beautifully eroded by the almost parasite-like decorative shapes.

I discovered the lace fence on the Bend to Squares blog.

Image credit: Demakersvan

April 30, 2007

Five blogs that make me think

I’m blushing right now because Kerryn has tagged my blog as one that makes her think.the thinking blogger award logo Kudos aside, one of the great things about this is that now I get to tag five blogs that make me think. Here goes:

The Legal Soapbox makes me think about all sorts of things: the law, parenting, the environment, religion, current affairs in Australia … And although Legal Eagle delves into many contentious areas she makes her points clearly, logically and with great honesty and originality. Not willing to get sidetracked by blogosphere debates along party political lines, Legal Eagle even has her own wing.

What We Said is a group blog that has got me engaging with feminism again. Lately Litlove’s made me think (and laugh) about gender roles in the family and Emily’s caused me to reflect on choosing a family name after marriage and children.

This Delicious Solitude: I’m always interested to find out about what Jess has been reading lately and to read her elegant posts on literature. She’s inspired me to start on Cold Mountain, a book I just never got around to reading before.

Whipped whets my appetite for good food. It’s a food blog with its own spin on the genre. Caroline makes me think about food in new ways: a photograph of a cold wintry cemetery scene become visual inspiration for a recipe for cream of asparagus soup. I also get to play would you rather

3191 is a place I go for a little silence (for sometimes this is what thinking requires) and to appreciate the beauty found in everyday life. Stephanie and Mav live 3191 miles apart and they each photograph an aspect of their mornings. The paired photographs, although unplanned, often resonate in unexpected ways.

Here are the rules of participation for those of you I’ve tagged:

  • if, and only if, you get tagged, write a post with links to 5 blogs that make you think
  • link to this post so that people can easily find the exact origin of the meme
  • optional: proudly display the ‘Thinking Blogger Award’ logo with a link to the post that you wrote

April 25, 2007

At the movies

I’ve borrowed this meme from Delicious Days but have reduced the number of questions:

1. Name a movie you have seen more than 10 timesmovie-meme.jpg

I can’t think of any movies that I would have seen that many times. I’m a Hitchcock fan so I’ve seen some of his films several times – Rear Window, Vertigo, To Catch a Thief

2. Name an actor who would make you more inclined to see a movie

Cate Blanchett, I find she disappears into her roles, so you see the character first rather than the actor. And she’s an Australian!

3. Name an actor who would make you less likely to see a movie

I would probably stay away from any movie starring Madonna, it’s not usually a good sign.

4. Name a movie you can and do quote from

My grandmother was a big fan of Gone With the Wind, so I’ve seen that several times. But ‘frankly, my dear, I don’t give a damn’ about quotes.

5. Name a movie musical in which you know all of the lyrics to all of the songs

I’m not sure if I know all the lyrics, but I think my best bet would be The Sound of Music??

6. Name a movie you would recommend everyone see

The Lives of Others, which I have posted on previously, was really impressive and quite topical in the current political climate. Little Miss Sunshine, Lost in Translation, and the Russian movie The Return also come to mind.

7. Name an actor who launched his/her entertainment career in another medium but who has surprised you with his/her acting chops

This might be controversial but Adam Sandler who started out in comedy. My boyfriend is a big fan of his movies which are silly but entertaining. However, Sandler really stepped out of his comfort zone in Punch Drunk Love and is absolutely fantastic.

8. Have you ever seen a movie in a drive-in?

I remember going to see Indiana Jones and the Temple of Doom at the drive-in as a child (Supergirl was being shown on the other screen). Sadly, like most Australian drive-ins, it no longer exists.

9. Ever walked out of a movie?

No, I’d find it very hard to walk out of a movie, I like to judge things in their entirety. I certainly wouldn’t do so to make a critical statement. But if the movie was sadistically violent I’d consider leaving.

10. Popcorn?

No, I’d prefer a choc top.

11. What’s the last movie you saw in the theater?

Last night my boyfriend and I went to see Sunshine which was quite good. It sits at the intelligent end of the sci-fi spectrum – a bit like Alien crossed with 2001 Space Odyssey.

12. What’s your favorite/preferred genre of movie?

I like to mix it up bit. I do sway a bit towards arthouse films but I enjoy a good thriller or a period drama. I would also throw in a harrowing drama, a ‘feel-good’ flick and a teen comedy for good measure.

13. What’s the first movie you remember seeing in the theater?

E.T. I think. I would have been about six or seven years old at the time. I remember thinking how steep the rows of seats were in the cinema.

14. What is the scariest movie you’ve seen?

One that stays with me is the incredibly unsettling The Comfort Strangers which is set in Venice (based on a novel by Ian McEwan). I watched it on TV years ago. It was late at night, I was home alone and I absolutely terrified myself. I must go back and read the novel though …

15. What is the funniest film you have ever seen?

Little Miss Sunshine is probably the funniest, ‘feel-good’ movie I’ve seen lately.

I also have quite a black sense of humour, so I found Drop Dead Gorgeous hilarious whereas some people might just find it to be in bad taste. I quite enjoyed the zombie movie send-up Shawn of the Dead also.

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I’m not going to tag anyone but please join in if you feel so inclined.

April 19, 2007

Backwards and forwards: imagining wartime

I’ve recently read two fascinating novels that take place during the Second World War. Both of these books, Suite Francaise by Irene Nemirovsky and The Night Watch by Sarah Waters, follow several characters (and groups of characters) through a range of wartime experiences in the 1940s.

Over sixty years separate the writing of these wartime imaginings although both novels were published (in English) at around the same time.Cover of Suite Francaise

Much has been written elsewhere about the tragic back story to Suite Francaise. Nemirovsky,  whose life was cut short when she was deported from France to Auschwitz in 1942, left behind an unfinished manuscript called Suite Francaise. The manuscript was rediscovered in a notebook by Nemirovsky’s daughter in the late 1990s and was published in France in 2004 to great critical acclaim.

The published book, which consists of two parts, ‘Storm in June’ and ‘Dolce’, is really only a fragment of what Nemirovsky intended for Suite Francaise. There were to be an additional three sections, ‘Captivity’, ‘Battles’ and ‘Peace’, some of the content of which could only be determined by the outcome of the war.

One of the most remarkable things about Suite Francaise is that it was written almost contemporaneously with events it describes. ‘Storm in June’ takes place in 1940 and follows several groups of characters as they flee Paris ahead of the arrival of the German troops. Almost like reportage, you get a real sense of what it would be like to have to flee your city and compete with the hordes for food, shelter and access to transport. These events bring out the humane decency of some characters and reprehensible behaviour in others.

The ‘Dolce’ section focuses on several characters in the small German-occupied town of Bussy in 1941 where the French townspeople and German army lead an uneasy coexistence:

War … yes, everyone knows what war is like. But occupation is more terrible in a way, because people get used to each other. We tell ourselves, “They’re just like us, after all,” but they’re not at all the same. We’re two different species, irreconcilable, enemies forever.

Considering the lack of critical distance, Suite Francaise displays great wisdom and balance in its potrayal of French and German characters. It really was a beautiful, bittersweet book and I wish it could have been completed as intended.

While the fragmented Suite Francaise moves forward and is completed retrospectively by our knowledge of Nemirovsky’s fate and the outcomes of the Second World War, The Night Watch moves chronologically backwards in three parts. Set in London, the novel begins after the war in 1947, it then moves back to the bombings of 1944  before finishing during the Blitz in 1941.Cover of The Night Watch

The narrative focuses on four Londoners, whose lives intersect at various unexpected points. Because of the unusual chronological structure, we follow the four characters not to find out what happens to them but to discover how they began. For me, this has uneven results, by the time you get to the second section, you start to fill in the gaps left by the first section; but the third section, which has a really dramatic incident, is really weakened by this treatment. Somehow these earlier incidents are not as interesting when told in reverse.

However, I did enjoy The Night Watch, it was extremely well-written, the characters were well-drawn and the attention to historical detail gave the novel a great realism and sense of wartime atmosphere.

They might have been walking through murky water, so absolutely strange and dense was the quality of the night here, and so freighted with violence and loss.

I liked the combination of dramatic scenes – air raids and rescues from bomb sites - and the depiction of the mundane realities and deprivations of life in the 1940s. The success of the narrative structure is debatable but it is well worth reading to decide for yourself.